Wednesday, March 25, 2015

Waiting for the end

Last week, we welcomed spring with open arms, thrilled to see the grass again. I rejoiced over that warm gray hue on the lake. The ducks seemed to be laughing as they swam between melting chunks of ice. Even the weeping willows looked cheerful against the deep blue sky.

But, this week.
Snow, again.

Winter is bidding farewell, with passion. The hills and roofs and cars were clad  in white, again. Today, the sky is heavy with gloom.


Spring snow




The world grieved for the death of a stranger this week.

Kara Tippetts (1976-2015) was diagnosed with breast cancer when she was 36. For me, 36 is only three years away. She had four young children. She battled against the cancer in her body for three years, but she called it her "fight for a tender heart."
I feel like I am a little girl at a party, whose dad is asking her to leave early, and I'm throwing a fit. I am not afraid of dying, I just don't want to go.
Most of us only met Kara through our electronic screens. Yet, she compelled us to walk with her through her kindness and beauty. She wrote on her blog last December,
My little body has grown tired of battle and treatment is no longer helping. But what I see, what I know, what I have is Jesus. He has still given me breath, and with it I pray I would live well and fade well. By degrees doing both, living and dying, as I have moments left to live.
Kara died last Sunday. She lived and loved and died so well. Her life made me think about how I would want to die. She left us with her book, and her call for us to die to ourselves and follow Christ, "When you come to the end of yourself, that’s when something else can begin.”

Dying seeds


So, I hold Kara in my thoughts as I am waiting for the end of this winter and the beginning of spring.

If I would listen, the fields are teaching me a lesson about acceptance. They received the snow in quietness and trust. With open hands, they rest in the goodness of their Creator. The soil and plants are teaching me a lesson about patience. The dirt is vibrating, the trees are humming, the branches are pregnant. Soon, they will burst into life and blossoms and fruit. But for now, they are content to grow in secret places.

Just because we cannot see what is happening, does not mean nothing is happening. Growth often happens in dark and hidden places.


Soul, wait not for spring,
Wait, instead,
for the Lord of the Eternal Spring,
the Lord of Life.





Tuesday, March 17, 2015

These Strange Ashes

Elisabeth Elliot continues to be a faithful companion. Her book, These Strange Ashes, is a collection of stories from her year as a jungle missionary in Ecuador, before she married Jim Elliot. For the first time in these past few months, I saw that my heroine was indeed made of flesh, bones, and blood.

For many years, Elisabeth Elliot had been preparing herself for the work of translating the Bible into a yet-to-be-written language. But much of her book was a confession about how distracted she was from the work she set out to do. Should she boil her milk and butter, how was she to keep her stove lighted, why it was such a trial to transport and boil the water from the river infested with human excrement, and how she made peace with wrinkled clothes.

There were points in the story when I had to put down the book, walk to my kitchen, and appreciate what she called "miracles of ingenuity"—the faucets and drains and my kitchen sink.

"The familiar became the stuff of dreams," she wrote, "and the stuff of former dream—the jungle, Indians, thatched roofs, campfires, a strange  unwritten tongue—became the familiar." Going to a grocery store became to her "almost a dream of paradise." Scotch tape, nail files, pots, vegetable parers, and notebooks became precious things, but they were always getting broken or rusty or mildewed.

Life was very stale, she wrote, and the days dragged by. But, when life was eventful, there was sure to be landslides, thefts, getting lost in the jungle, sickness, and deaths. I do not know which I would prefer.

And then, there were her losses. She quoted Amy Carmichael,
But these strange ashes, Lord, this nothingness,
This baffling sense of loss?
Son, was the anguish of my stripping less
Upon the torturing cross?
I stumbled across these words that did much good for my soul, though I do not yet understand them fully.
This grief, this sorrow, this total loss that empties my hands and breaks my heart, I may, if I will, accept, and by accepting it, I find in my hands something to offer. And so I give it back to Him, who in mysterious exchange give Himself to me.
Hers are among the strangest books I have read, and loved. There was no conclusion, no triumphant ending. I was left wondering why she suffered so, after she had poured out so much. And the losses she recorded in this book were not even the worst of her pain. After five years of waiting for the man she loved, Jim Elliot would die in another jungle just two years after they were married.

Loss after loss after loss.
Faith, prayer, and obedience are our requirements. We are not offered in exchange immunity and exemption from the world's woes. What we are offered has to do with another world altogether.

My miracles of ingenuity.


She ended her book this way:
A story is told of Jesus and His disciples walking one day along a stony road. Jesus asked each of them to choose a stone to carry for Him. John, it is said, chose a large one while Peter chose the smallest. Jesus led them then to the top of the mountain and commanded that the stones be made bread. Each disciple, by this time tired and hungry, was allowed to eat the bread he held in his band, but of course Peter's was not sufficient to satisfy his hunger. John gave him some of his.
Some time later Jesus again asked the disciples to pick up a stone to carry. This time Peter chose the largest of all. Taking them to a river, Jesus told them to cast the stones into the water. They did so, but looked at one another in bewilderment.
"For whom," asked Jesus, "did you carry the stone?"




Thursday, March 5, 2015

Before her King

Mary was always at your feet.

When you came by for a visit and her sister wanted her in the kitchen, she listened to your teaching at your feet. When her brother died and she did not understand why you did not heal him, she wept at your feet. When her brother was raised from the dead and people wanted to kill you because they refused to understand, she poured precious oil on your feet and wiped them with her hair.

On bended knees, this was how she always received you. On good days and hard days, she always came to your feet.

My sister Jean once told me that we are like teabags. We release our flavor, our aroma, our true selves—in hot water. Will I be faithful, kind, and patient when I am under pressure, when I cannot understand, when death is near? What are the words that will come out of my mouth when I am provoked, when I cannot help it, when I am despised?

Will I remain in your love, my Lord? Will I fall at your feet? Will I stay here?

Mary's love for you was so indiscreet, immodest even. She held nothing back. When other people were blind to your beauty and deaf to your voice, she was held captive. You, the Maker of Stars, was in her home. The voice who spoke the universe into place was speaking. So, Mary listened.

She ran to you when you were near. Blinded by tears and confused, she fell at your feet. Here, she was safe; you were her refuge. She did not try to explain her pain or keep herself together or ask you why her brother had to die. She just wept.

Mary's love for you made people squirm in their seats, uncomfortable. Her love seemed so foolish and wasteful. Surely, she was showing too much, pouring out her respectability like that pound of expensive oil. The crown of her head wiped the dust of your feet. Again and again, she abandoned herself and other people's expectations. Her love was not respectable, or useful, or reasonable.

When people despised her, she did not try to defend herself or explained what she was doing. When people criticized her and rebuked her, she remained silent.

She knew you understood.

You saw her, and that was enough. You defended her before the scoffers and their disapproving glaces. You commended her. You wept with her.

My mother on bended knees.



On ordinary days, Mary was probably an excellent helper to Martha; this would explain why Martha could not do without her help. I am guessing she washed the dishes and helped with the clean-up when Jesus and his disciples left.

The difference between Mary and everybody else was not merely differences in their actions or postures. What set Mary apart was her certainty that Jesus was who he claimed to be: The Son of God. Those were no ordinary days. Those were the days when God walked and ate and slept among his people.

Therefore, she came to Jesus on bended knees. Her encounters with Jesus were not meetings between two equals. Mary came to Jesus as a subject before her King, a worshiper before her God.



Soul,
bend your knees on ordinary days,
bend your knees on hard days,
bend your knees on days when you are not sure.

Soul,
behold your King,
his feet hanging on a tree.


Wednesday, February 25, 2015

The Psalms: The story of a place between two worlds

I cried in my Hebrew class.

It was my first semester at Trinity, almost nine years ago. Dr. Magary was explaining grammar and syntax in the book of Ruth. He loved every jot and every tittle of God's Word. Every letter, every stroke was precious and full of meaning in his eyes. Not one word was empty.

During that same semester, I was taking another a class on the Psalms. Dr. VanGemeren took us up into the air, and showed us the world of the Psalms. See! The wilderness, the green pastures, the hills. Behold! The trees of the forest, the battlefields, the valley of the shadow of death. Look! That was the willow tree where they hung up their lyres. Here, this is where we hid under the shadow of the Almighty.

These two men offered me cups of cold water, and only then I realized that I had been thirsty my whole life. Some days, my heart would burn and ache just listening to their teachings. I cried in my Hebrew class because in and through his reading of the Word, I heard the voice of my God.





Here are some lessons I learned from them about how to read the Psalms:

1. The Psalms is a story.

It has a beginning and an end. The first two chapters set the stage for the rest of the book. Dr. VanGemeren would say that all the themes in all the other 148 chapters are introduced here, in the beginning. The story has an ending. The last five chapters are called the Hallelujah psalms. They are the grand finale to the story.

The book of Psalms contains five books, the same number as the books of the law — the Pentateuch. Each book has its own characteristics, its dominant writers, its dominant themes.
Book I: 1-41
Book II: 42-72
Book III: 73-89
Book IV: 90-106
Book V: 107-150

For example, Book IV begins with the prayer of Moses. The person of Moses evokes the stories of creation, the great Exodus, and forty years of wandering in the wilderness. These are the very themes that dominate Book IV. Each book end with a similar doxology: "Blessed be the Lord, the God of Israel, from everlasting to everlasting! Amen and Amen" (Psalm 41:13, the doxology of Book I).

Because the Psalter is a story, the place of every song, every line, every word is meaningful. The 150 psalms are not randomly arranged. Whenever we read and interpret a psalm, it is crucial that we read what precedes it and what comes after it. One psalm is one scene in a bigger story. In order to understand this particular scene, it is helpful to know its context, its location, the questions and concerns of the person uttering this prayer.

So, for example, Psalm 111 and 112 should be read together. They begin with the same words: "Praise the Lord!" Psalm 111 tells us about Yahweh, and Psalm 112 tells us about the blessed person. Right in between these two psalms, we see that the blessed person is bound to Yahweh by "the fear of the Lord" which is the beginning of wisdom (111:10). The fear of the Lord is the meat that brings this sandwich together.

Because the Psalter is a story, the 150 psalms moves forward, and its movement follows certain patterns. From a bird's-eye view, the psalms move from lament to praise, chaos to order, conflict to resolution, shame to glory — orientation, disorientation, reorientation. Sometimes, the movements are small, from one verse to the next, or from one chapter to the next. Other times, the movements can span across a few chapters. The themes flow from one to another much like how the scenery changes on the highway. A mountain might first be at the horizon; it then becomes nearer; and soon, it is behind us.

Therefore, Psalm 23 is comforting because of Psalm 22. "The Lord is my shepherd" is the answer to David's question "My God, my God, why have you forsaken me?" These two psalms are embedded in a greater body of psalms about kingship, and the shepherd is a symbol of the king in the Old Testament. In Psalm 20, David prayed "O Lord, save the king!" In Psalm 24, David declares, "Who is this King of glory? The Lord of hosts, he is the King of glory!" The theme changed from an earthly king to the heavenly King.


Photo credit: my sister Catherine

2. The Psalms is a place.

Christians live in a place between two worlds. We left our old lives behind, and we set our feet on a pilgrimage towards the Celestial City. The Psalms is that place, that path, between these two worlds.

David, Moses, Asaph, the Sons of Korah were the people who once walked on this narrow path. They knew the terrains of this wilderness. They showed us that there are two ways: We could either walk towards to City of Life on the Path of Wisdom, or we could turn back to the City of Death on the Path of Folly. Every day, in every decisions, we are talking steps in either direction. We could either fix our eyes on Life or on Death.

The psalmists did not leave us with mere breadcrumbs. No, they carved out mountains with their bare hands. They dug deep wells of never-ending springs. They established ancient rocks that conquered the test of time. They paved the road with their prayers, their tears, their joy, their blood, their strength, their songs. They showed us the path that leads to Zion.

But, they failed. And they died. The path was unfinished.

Jesus Christ, the Son of God, came and walked along the path of the Psalms. He went into the wilderness. He spoke and the mountains moved. His steps were sure and steadfast; he never looked back. He paved the way to the Father with his tears, his sweat, his blood, all the way to Golgotha where he gave his life and said, "It is finished."

Our Lord Jesus Christ is the way, the truth, and the life. He is the Story; he is the Place. In him, we hide.





Tuesday, February 10, 2015

Come, and do ordinary things

Revival meetings were in vogue among the churches in Malaysia during the 1990s. The charismatic movement swept through the land and there was much talk about prophecies and visions and tongues. My friends attended many of these revival meetings, and I wanted to go as well.

But my parents said no.

My parents felt it was unsafe to send their naive teenage daughter to sit under the teachings of strangers. I obeyed them, though I recall there were some tears. My friends spoke enthusiastically about their mystical experiences, and some even received "words of prophecy" about their futures. I told my parents that I, too, wanted to know God's will for my life. My parents told me to read my Bible.

They were so, so wise.




Twenty years later, the questions that used to trouble me as a teen are no longer so weighty: will I continue my education, where will the money come from, will I marry, will I be a missionary doctor, etc. The Lord faithfully answered. There were some yeses, and they were some nos. But all things worked together for my good.

New questions came, new concerns for the future. My prayers now include questions about our children, our sisters and parents, our friends, our church. The list is long. My parents' words still ring true: Read your Bible.

So, Pa and Ma, I am reading my Bible. And I see that God's guidance came in two ways:


1. God's guidance came to people when they cast themselves at his feet.
God came to people who were seeking after him, blind beggars who called out to him, a man who climbed up the sycamore tree, a barren woman who wept at the temple, a sick woman who touched Jesus' cloak. These people knew they were desperate and in need, so they came to him.

God wants us to come to him. He is constantly calling us to return, repent, and come. He has given us the way, the truth, and the life through Jesus Christ. He has equipped us with prayer, communion, baptism, fellowship, and his Word. In order to received grace, we must come. We must cast ourselves in the way of grace.


2. God's guidance came to people when they were doing their ordinary, everyday duties.
God called people who were doing what they were supposed to be doing, a farmer who was farming, fishermen who were fishing, a shepherd boy who was shepherding. When we faithfully carry out the small duties that are set before us, we are preparing ourselves to know and accept the will of God.

You might be thinking that you are just doing the dishes or your homework, just going to bed early, just waking up when the alarm rings, just going out for a jog, just typing the Power Point presentation for the worship service, just disciplining your children for the sixth time in one hour, just making food for friends who are sick — you are not. These thousands of decisions, thousands of tiny moments are chiseling away at our souls, shaping and teaching us to obey, and to sacrifice.

In words of Amy Carmichael, "A little thing is a little thing, but faithfulness in little things is a very great thing."

Between writing this post and making a birthday breakfast for Hans, the toilet overflowed. Perfect timing. Because there is no duty more ordinary than toilet duty.


Tuesday, February 3, 2015

Bend your neck, bow your head

Khesed calls sheep "baa-baa." For some reason, I think of baa-baas whenever I hear the words, "Come to me all who labor and are heavy laden, and I will give you rest."

I think of the green pasture in Psalm 23. Jesus takes me and lays me by the still waters. I am his little sheep and he is my shepherd. I would then play all day with other sheep, happy and free of my burdens.

Wrong. Wrong animal.

When Jesus calls us to come and rest, he also says, "Take my yoke upon you."

A yoke. As in that thing farmers attach on their oxen. Not exactly the first thing that comes to my mind when I think of rest.








It has been another Elisabeth Elliot week for me. For two days, I have her sermon about meekness on replay on my desktop. She opened my eyes to see my opposite-of-meek ways. Yesterday, as I was folding laundry, the Holy Spirit performed several open-heart surgeries on me. There was no anesthetic for the pain. With utmost precision and care, the Lord cut into my soul and placed his fingers on the sickest, most vile places of my heart.

Right between those piles of laundry, the Lord broke me.
I needed to be broken. And brokenness was a good place to be.

In order to take the yoke of Christ, I must first bend my neck, and bow my head. I must submit my will to his, and go wherever he leads me. But, this yoke—with its weight and constraints on my shoulder—I do not like it. I want to stretch my neck and look around. I want to evaluate all my options and decide for myself, where I want to go, who I want to be. I want to run and be free.

But running wild, I should know by now, is no freedom at all.

Imagine a frail animal in the wild. In the cold, in the rain, in the ditch. Thirsty, starving, hurting. A prey for fiercer beasts. Lost and alone. It could fall off a cliff, or worse, it could be captured for chains and slaughter.

This yoke doesn't seem so bad now, does it? Jesus calls it "easy" because the yoke is his steadfast love. He bound himself to us because of his faithfulness. All I have to do is bend my neck and bow my head, and receive it with a grateful heart.

In his grace and mercy, God bound his fate with ours. To be under his yoke is to be one with Christ — the One who bent his neck and bowed his head under the weight of the cross. To be under his yoke is to belong to God, to be in God's field, to work God's soil, to bear fruit for God's glory. The yoke is heavy and constraining only when I am fighting and pulling away.


Soul, bend your neck,
Soul, bow your head,
Take his yoke upon you,
this is his steadfast love and faithfulness.
His yoke is easy,
and his burden is light.
Learn from him,
for he is gentle and lowly in heart,
and you will find rest, Oh my soul.






Photo credit: Wikipedia.

Tuesday, January 27, 2015

Be more than a mother

My friends have talked about the books of Elisabeth Elliot for years. I do not know why I had not picked one up until now. I chose her biography of Amy Carmichael, A Chance to Die. Encountering authors for the first time is much like meeting new friends. In this book, I met not one but two incredible women who were not afraid to die. They embraced their chances to die, to be crucified with Christ, as the door to life.

Elisabeth Elliot wrote in her preface, "We read biographies to get out of ourselves and into another's skin." And getting out of my own skin has proven to be incredibly useful.



During the boys' nap time and between chores, I opened my book and flew to India. There, under some shades in the hot and humid jungle, I sat and watched Amy Carmichael as she taught her dark skinned toddlers to sing. She required even the smallest children to help, "A little thing is a little thing, but faithfulness in little things is a very great thing." As their hands swept the floor of their bungalow, peeled fruits, and husked rice, their lips sang these words,
Jesus, Savior, dost Thou see
When I'm doing work for Thee?
Common thing, not great and grand,
Carrying stones and earth and sand?

I did common work, you know,
Many, many years ago;
And I don't forget. I see
Everything you do for Me.

Motherhood for Amy Carmichael began one morning when Preena ran up to her as she was sipping her chota (early tea). The little girl climbed into her lap and began to chatter away, "My name is Pearl-eyes, and I want to stay here always, I have come to stay."

Preena ran away from a Hindu temple, where her biological mother offered her as a child-slave to the temple guardians. Amy was convinced that an angel helped her escape, because fleeing the temple would be quite an impossible feat. Crowds from the village and the temple women came to Amy's house to reclaim the child, but Preena would not go with them, and Amy would not force her. Amy later learned stories from this child that "darkened the sunlight," and Preena had the scars to prove her words.

More and more children were brought to Amy. Her home would sometimes be filled with thirty or more babies and children. She had rescued and raised hundreds of children into adulthood by the time she died at age eighty-three. Many stayed with her and helped her. Some were rescued from the temple; others were brought to Amy by pastors and Christians who found babies by roadsides. Since the day Preena arrived at her door, Amy gave her heart and her missionary feet to be bound by her beloved children, "for the sake of Him whose feet once were nailed."

Inside the front cover of Amy's Bible were written these words:
These children are dear to Me.
Be a mother to them, and more than a mother.
Watch over them tenderly, be just and kind.
If thy heart is not large enough to embrace them,
I will enlarge it after a pattern of My own.
If these young children are docile and obedient, bless Me for it;
If they are froward, call upon Me for help;
If they weary thee, I will be thy consolation;
If thou sink under thy burden, I will be thy Reward.





I would return from these trips restored, rested. The toys on the floor and dishes in the sink do not seem so daunting. Even though the window announces that it is still winter here in Chicago, my heart is warmed by the heat of the Indian jungle.




*Pictures taken from the website of the Dohnavur Fellowship, home to thousands of children in South India, continuing the work that Amy Carmichael began in 1901.